https://saravieiramarques.cargo.site Sara Vieira Marques Portfolio Wed, 05 Mar 2025 13:29:54 +0000 https://saravieiramarques.cargo.site en https://saravieiramarques.cargo.site/34160999 Tue, 26 Sep 2023 09:52:20 +0000 Sara Vieira Marques Portfolio https://saravieiramarques.cargo.site/34160999 [𝖋𝖎𝖓𝖎𝖘ˈ𝖙ɛ𝖗𝖗𝖆] PRACTICES AND THEORIES FOR AN END OF THE WORLD&nbsp; ongoing research [𝖋𝖎𝖓𝖎𝖘ˈ𝖙ɛ𝖗𝖗𝖆]&nbsp; is the mythology of a place that evokes the end of the world. It's also the name I give to this research, which uses listening as a technology to imagine what exists beyond that end. Believing in a future of inclusive narratives, where the human does not occupy the central narrative, and through a speculative, collaborative and interdisciplinary approach, this artistic research project summons practices and theories to enunciate a possible "future of the future".&nbsp; This is a research and artistic creation project undertaken within Expanded Performing Arts to confront or accelerate the ‘end of this world’ (Krenak, Ferreira da Silva). Assuming that we are already living in the ‘urgency of the end’ (T.J. Demos) and that we are already ‘out of time’ (Karen Barad), the research elaborates on what will come next. In the age of climate change and human decline, there is an urgent need to collectively imagine and create the conditions that make possible to co-inhabit the future in other ways. What survival strategies do we need in this era of climate catastrophe? What conditions can we generate in order to regenerate our imaginations of the futures to come? Through a speculative approach, this project has been exploring various practical and theoretical strategies aimed at imagining ways of surviving the present and building the future. [𝖋𝖎𝖓𝖎𝖘ˈ𝖙ɛ𝖗𝖗𝖆] regularly mobilises a study group - Exploratory Group of Sound Practices - to investigate how aural, invisible and impalpable places and practices can contribute to recovering the means of imagining and producing common becomings. Artistic Direction, Research and Performance Sara Vieira Marques 'Exploratory Group for Sound Practice' study group João Grilo; Ángela Díaz Quintela; Inês Luzio; Santiago Tricot; Irina Pereira Grant for Artistic Research “Reclamar Tempo 2024” CAMPUS Paulo Cunha e Silva Institutional SupportCAMPUS Paulo Cunha e Silva /&nbsp;TMP (Porto-PT); Artists’Shelter - Sekoia (Porto-PT); ApalleirA (Sarria-ES); Gnration - Braga Media Arts (Braga-PT); Binaural Nodar (Vouzela-PT); &nbsp;O Espaço do Tempo (Montemor-o-Novo-PT); mala voadora (Porto-PT); INAE - Instituto Nacional de Arte Escénicas (Montevideo-UY); NAVE Centro de Creación y Residencia (Santiago-CH);Parque Cultural de Valparaíso (Valparaíso-CH) &nbsp; *this project was awarded: RECLAMAR TEMPO Artistic Research Grant 2024 - Campus Paulo Cunha e Silva (PT) <img width="1440" height="1062" width_o="1440" height_o="1062" data-src="https://freight.cargo.site/t/original/i/214a587fe803828133e47cc8ae5018e8f80214ed0688e0d7e73630f33661ff87/tarek-atoui1.jpeg" data-mid="191881376" border="0" src="https://freight.cargo.site/w/1000/i/214a587fe803828133e47cc8ae5018e8f80214ed0688e0d7e73630f33661ff87/tarek-atoui1.jpeg" /> 2024 / 2026 https://saravieiramarques.cargo.site/Undoing-Listening Wed, 05 Mar 2025 13:29:54 +0000 Sara Vieira Marques Portfolio https://saravieiramarques.cargo.site/Undoing-Listening UNDOING LISTENING[𝖋𝖎𝖓𝖎𝖘ˈ𝖙ɛ𝖗𝖗𝖆] project UNDOING LISTENING is the first performative practice that emerges from the research project [𝖋𝖎𝖓𝖎𝖘ˈ𝖙ɛ𝖗𝖗𝖆]. It is an installation-performance that seeks to “undo” and systematize listening in order to expand its possibilities. Undoing listening. UNDOING &nbsp;-&nbsp; REVERSING &nbsp;- &nbsp;DISORGANIZING &nbsp;-&nbsp; DESTROYING &nbsp;- &nbsp;SHATTERING &nbsp;- &nbsp;OPENING UP &nbsp;- EXPLODING &nbsp;- &nbsp;DISPERSING &nbsp;- &nbsp;TRANSFORMING &nbsp;- VANISHING Taking as its inspiration the theories and methodologies of composers Eliane Radigue and Pauline Oliveros, UNDOING LISTENING explores the performative, physical and conceptual dimensions of listening and acoustics, approaching them as tools and technologies for “futuring”. Listening is to be understood here as a radical and complex practice, a continuous, intentional and active action of the auditory functions, but also as a state of deep attention, which involves not only listening, but also seeing, beholding, moving, meditating and imagining.&nbsp; Artistic Direction, Choreography and Performance Sara Vieira Marques Light Design and Collaboration Santiago Rodriguez Tricot Artistic Assistance Nuno Preto, Inês Luzio e Ángela Diaz Quintela Sound Adviser João Bento Instalation and Object concept and design Sara Vieira Marques Object construction Pedro Guimarães (final version), Carlos Neves (prototype) Co-production ‘Artistas Douro’ by mala voadora, with funding from CMPorto Artistic Reasearch Support ‘Reclamar Tempo 2024’ CAMPUS Paulo Cunha e SilvaResidencies fAUNA - Teatro da Didascália (Joane-PT); Artists' Shelter - Sekoia (Porto-PT); ApalleirA (Sarria-ES); Gnration (Braga-PT); mala voadora (Porto-PT); CRL - Central Eléctrica (Porto-PT); Binaural Nodar (Vouzela-PT); O Espaço do Tempo (Montemor-o-Novo-PT); INAE - Instituto Nacional de artes Escénicas (Montevideo-UY). AcknowledgementsDiaz Quintela family; Santos; João Grilo; Irina Pereira; Cristina Planas Leitão; Lígia Andrade; Fabrizio Rossi; Bianca Garibaldi; Vera Garat; Santiago Turenne; Florencia Lindner; Florencia Martinelli and Bruno Brandolino. To Nuno, Inês, Ángela and Santi for always giving everything without asking for anything back. ---- Presentations- INAE Instituto Nacional de Artes Escénicas (december 2024) *preview- mala voadora (january 2025) *premier- Binaural Nodar (april 2025)- FIDCU Festival Internacional de Danza Contemporánea de Ururguay (september 2025) *this project was awarded: ARTISTAS DOURO Artistic Grant 2024 - mala voadora (PT); ARTIST’SHELTER Residency Support- Sekoia (PT); fAUNA Residency Support - T.Didascália (PT) <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/2c3f550935e2b3d10b0a866a78609e63be68e4d15f44e2d9c08cd5e9dd6ad692/IMG_1488.JPG" data-mid="229377872" border="0" src="https://freight.cargo.site/w/1000/i/2c3f550935e2b3d10b0a866a78609e63be68e4d15f44e2d9c08cd5e9dd6ad692/IMG_1488.JPG" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/72919ea9accd6b7dc5e7056abd070c6434d679871bd6c716720b6a7946cf1441/IMG_1479.JPG" data-mid="229377870" border="0" src="https://freight.cargo.site/w/1000/i/72919ea9accd6b7dc5e7056abd070c6434d679871bd6c716720b6a7946cf1441/IMG_1479.JPG" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/31133f5e00fac5da0804430f013ed42291067334d4e308c2e8989a516d1becbe/IMG_1504.JPG" data-mid="229377874" border="0" src="https://freight.cargo.site/w/1000/i/31133f5e00fac5da0804430f013ed42291067334d4e308c2e8989a516d1becbe/IMG_1504.JPG" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/8b9dafd4f0994b64b3ca4e99a2ae6cbbec4d66dac2bb2e88751b0d53b74b5bbf/IMG_1536.JPG" data-mid="229377876" border="0" src="https://freight.cargo.site/w/1000/i/8b9dafd4f0994b64b3ca4e99a2ae6cbbec4d66dac2bb2e88751b0d53b74b5bbf/IMG_1536.JPG" /> ©SantiagoTricot mala voadora, Porto january 2025 https://saravieiramarques.cargo.site/Resonating-Islands Mon, 25 Sep 2023 18:49:30 +0000 Sara Vieira Marques Portfolio https://saravieiramarques.cargo.site/Resonating-Islands RESONATING ISLANDSA SONOROUS&nbsp;ARCHIPELAGO RESONATING ISLANDS_A SONOROUS ARCHIPELAGO is an artistic research project that starts from a questioning about the material and ecological experience of the human body when confronted with its natural and phenomenological environments. Departing from the physical study of geological and atmospheric phenomena and the imagination of common futures, this project activates the materialisation of non-anthropocentric performative places. Blurring the boundaries between the performing and visual arts, this research puts into practice "imaginary geographies": mountains, which are islands, which are volcanoes, which are the centre of the earth, which are the beginning. RESONATING ISLANDS proposes a set of scenarios in the performative space that produce abstract places where the human does not occupy the central figure nor the central narrative. Prioritising the work of light, sound and space - languages that use non-human materials and work with their "invisibility" - the project comes to pay real attention, not only to the relationships between human bodies and their presence, but also between everything that belongs to our relational systems. In 2023 this project was premiered in Arquipélago Contemporary Arts Center (Azores, Portugal) as a Listening Session, a performance where a light, sound and spatial installation was responding in real time to seismic data from the Azores archipelago, positioned over a triple tectonic junction of constant activity.&nbsp; Artistic Direction, Choreography and Research Sara Vieira Marques &amp; Santiago Rodriguez Tricot Artistic Assistance Romain Teule Light and Space Installation Sara Vieira Marques and Santiago Rodriguez Tricot Sound Design and Collaboration Fabrizio Rossi Production Carol Goulart Co-production Anda&amp;Fala Grant - Finatial Support Calouste Gulbenkian Foundation ResidenciesForum Dança (Lisbon - PT); Devir Capa (Faro - PT); CAMPUS Paulo Cunha e Silva (Porto-PT); vaga - espaço de arte e conhecimento (Azores -PT);&nbsp;CRL - Central Eléctrica (Porto-PT);&nbsp;Arquipélago Contemporary Arts Center (Azores -PT);&nbsp;TMP - Teatro Municipal do Porto (Porto-PT); NAVE - Centro de Creación y Residencia (Chile); Parque Cultural de Valparaíso (Chile); Mansa Mansion (Argentina), Universidade de Córdoba (Argentina) *this project was awarded the Artistic Creation Grant 22/23 - Calouste Gulbenkian Foundation(PT) <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c9af4c320d7298527b7c8eb5d9fc1090bc6caa589027703fa61bf68288475785/VAGA2023_TEMPORADA-4_ResonatingIslandsMarianaLopes_013.jpg" data-mid="191821383" border="0" src="https://freight.cargo.site/w/1000/i/c9af4c320d7298527b7c8eb5d9fc1090bc6caa589027703fa61bf68288475785/VAGA2023_TEMPORADA-4_ResonatingIslandsMarianaLopes_013.jpg" /> <img width="3000" height="1999" width_o="3000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/ae7a932edf8c647028833d63ed30cc2bf4a1405470df982ef4d1877d582593b3/VAGA2023_TEMPORADA-4_WIP_ResonatingIslandsMarianaLopes_006.jpg" data-mid="191821555" border="0" src="https://freight.cargo.site/w/1000/i/ae7a932edf8c647028833d63ed30cc2bf4a1405470df982ef4d1877d582593b3/VAGA2023_TEMPORADA-4_WIP_ResonatingIslandsMarianaLopes_006.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9b135ba76d518a5cb667bf8bc0155e362ef3a5284bf2b43edb0397fa2347b3c7/VAGA2023_TEMPORADA-4_WIP_ResonatingIslandsMarianaLopes_005.jpg" data-mid="191821554" border="0" src="https://freight.cargo.site/w/1000/i/9b135ba76d518a5cb667bf8bc0155e362ef3a5284bf2b43edb0397fa2347b3c7/VAGA2023_TEMPORADA-4_WIP_ResonatingIslandsMarianaLopes_005.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9a894caa6bd4233859f6570c9555322a45a7d229c85c6d406ee19e6a5c003101/VAGA2023_TEMPORADA-4_WIP_ResonatingIslandsMarianaLopes_008.jpg" data-mid="191821757" border="0" src="https://freight.cargo.site/w/1000/i/9a894caa6bd4233859f6570c9555322a45a7d229c85c6d406ee19e6a5c003101/VAGA2023_TEMPORADA-4_WIP_ResonatingIslandsMarianaLopes_008.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/d1c16edbc7a0ea0bbfcd459390e15fa724688f5c0d69a4963dec556552658faf/2023-05-20_Arquipelago_ApresentaAAo-Resonating-Island--18.jpg" data-mid="191920922" border="0" src="https://freight.cargo.site/w/1000/i/d1c16edbc7a0ea0bbfcd459390e15fa724688f5c0d69a4963dec556552658faf/2023-05-20_Arquipelago_ApresentaAAo-Resonating-Island--18.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/b768a3042006c359d9a613053718846f36fe992a2780d20f779273f2f39745c6/2023-05-20_Arquipelago_ApresentaAAo-Resonating-Island--20.jpg" data-mid="191921019" border="0" src="https://freight.cargo.site/w/1000/i/b768a3042006c359d9a613053718846f36fe992a2780d20f779273f2f39745c6/2023-05-20_Arquipelago_ApresentaAAo-Resonating-Island--20.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/931508e9f248b9337b4df741a2dff9e38f5b905bcdae6ce6df7d85f5c8e8d3a4/VAGA2023_TEMPORADA-4_ResonatingIslandsMarianaLopes_012.jpg" data-mid="191821872" border="0" src="https://freight.cargo.site/w/1000/i/931508e9f248b9337b4df741a2dff9e38f5b905bcdae6ce6df7d85f5c8e8d3a4/VAGA2023_TEMPORADA-4_ResonatingIslandsMarianaLopes_012.jpg" /> ©MarianaLopes Arquipélago Contemporary Arts Center, Azores may 2023 &gt; &nbsp;link to&nbsp;teaser https://saravieiramarques.cargo.site/Aurora Mon, 25 Sep 2023 18:49:30 +0000 Sara Vieira Marques Portfolio https://saravieiramarques.cargo.site/Aurora AURORA AURORA is a performance in which I use my body as part of a feedback system and where I explore for the first time the relationship between space and sound in order to address and confront the theories of the Anthropocene and deep time. It emerges from a research on the methodologies developed by the french composer Eliane Radigue on her Feedback Works (1969-1970), &nbsp;spetially what she latter called “feedback of reinjection”. Dealing with feedback as a relational and material system, this performance poses some ontological questions about the relationships between bodies and their spaces and materialities. AURORA started from a practice of diary writing as a record and cartography of this questioning. Over time, it became a practice of listening to the subjective dimensions of sound, geology, electronic and human bodies in order to make a series of practical speculations with them. This project converges into a series of temporal sculptures within a sound installation, making use of the capture, production and reproduction of sound as physical material and language, to explore the relationships with geological, electromagnetic and human materials. Choreography, Research and Performance&nbsp; Sara Vieira Marques Technical Consultancy &nbsp; Santiago Rodriguez Tricot Light and Sound Installation&nbsp;&nbsp; Sara Vieira Marques Production &nbsp; &nbsp; Forum Dança Photography and Video &nbsp;&nbsp; Ana Mariz Thanks to &nbsp;&nbsp; Alkantara; João dos Santos Martins; Alina Ruiz Folini; Joana Sá; Adriana Sá; Daniel Pizamiglio; Gustavo Ciríaco; Ana Trincão. Residencies&nbsp; Forum Dança (Lisbon-PT), Rumo do Fumo (Lisbon-PT); Espaço do Tempo (Montemor-o-velho-PT), Fogo Lento: CAMPO (Vila Nova de Gaia-PT); Espaço Alkantara (Lisbon-PT); Penhasco (Lisbon-PT) *this project was awarded by ESTRUME Artistic Grant 2021 - Fogo Lento Associação Cultural (PT) <img width="2560" height="1446" width_o="2560" height_o="1446" data-src="https://freight.cargo.site/t/original/i/31c789a7e8b196ba875d80382098a8215b4517a050ca7c71eb83f6152eb75f43/aurora1.png" data-mid="191816265" border="0" src="https://freight.cargo.site/w/1000/i/31c789a7e8b196ba875d80382098a8215b4517a050ca7c71eb83f6152eb75f43/aurora1.png" /> <img width="2560" height="1436" width_o="2560" height_o="1436" data-src="https://freight.cargo.site/t/original/i/a1afd34ca840148caa6cdfdc89daca6c9f0934c49c788526ce1ef95da022a057/aurora2.png" data-mid="191816266" border="0" src="https://freight.cargo.site/w/1000/i/a1afd34ca840148caa6cdfdc89daca6c9f0934c49c788526ce1ef95da022a057/aurora2.png" /> <img width="2560" height="1430" width_o="2560" height_o="1430" data-src="https://freight.cargo.site/t/original/i/d115fcc747726a5ac955169695a8f2ef708162ddc0ecbf95bc5064691d938040/aurora3.png" data-mid="191816267" border="0" src="https://freight.cargo.site/w/1000/i/d115fcc747726a5ac955169695a8f2ef708162ddc0ecbf95bc5064691d938040/aurora3.png" /> <img width="2558" height="1438" width_o="2558" height_o="1438" data-src="https://freight.cargo.site/t/original/i/bc1f261ccb5120acde0dd58ea1fb6821fb954c1b57ea24e120b0c68b9bffdd0e/aurora4.png" data-mid="191816268" border="0" src="https://freight.cargo.site/w/1000/i/bc1f261ccb5120acde0dd58ea1fb6821fb954c1b57ea24e120b0c68b9bffdd0e/aurora4.png" /> ©Ana Mariz Alkantara, Lisbonjune 2020 &gt; &nbsp;link to teaser https://saravieiramarques.cargo.site/OSSU Mon, 25 Sep 2023 18:49:31 +0000 Sara Vieira Marques Portfolio https://saravieiramarques.cargo.site/OSSU OSSU OSSU is an ethnographic diary of my relationship with a stone. It is a diary shared from a distance. The beginning of a research. During the pandemic I raised many questions about materiality, temporality, the human condition and its vunerability towards non-human forces (like viruses, fungi, natural disasters, the internet...) This project is situated precisely within that circumstance, time and context. Trying to understand the relations between human, phenomenological and geological bodies, but also in order to recover the mobility torpid by the pandemic - to be able to walk, to breathe, to sunbathe, to leave home - I travelled to the Azores, from where I brought back a set of volcanic stones, dark and porous, that I still keep with me today. When I returned to Lisbon I began to wonder why I had brought these stones with me. I thought: "these stones are a mountain, which in turn is an island, in the Atlantic. Why did I make them go through a suitcase, through an airport, a plane hold, make them ascend to an altitude of over 35,000 feet, and then descend them to a new continent, a new city and of course, finally, to my home?" I thought it would be nice to do something with these rocks. But I had had enough of working alone, talking to myself, always in a closed circuit. I decided to invite the artist, researcher and musician Joana Sá, whom I barely knew, to keep one of the stones with her. I would keep the other. At that date I couldn't imagine that this dialogue would make the invisible imaginary of sound flourish abundantly in me, with which I would develop a performance ("Aurora", 2020) and with which I would start a research journey on material ecologies and post-humanism, whose first ideas can be found in this text ("OSSU", 2020). For some time Joana and I shared correspondence, and a kind of constant resonance gave rise to this text. This text is therefore a diary but also a continued action, motion, movement. It is a performative diary of that resonance and that imaginary. Concept, Writing an Research Sara Vieira MarquesResonance Joana SáEditorial support Rita NatálioPublisher Forum Dança <img width="1017" height="1168" width_o="1017" height_o="1168" data-src="https://freight.cargo.site/t/original/i/ca18b3dda9e974fb40db06bdc251027fc7fb4d0eaa1519233f0d5ef2e72b6764/IMG_2299---copia.JPG" data-mid="191830621" border="0" src="https://freight.cargo.site/w/1000/i/ca18b3dda9e974fb40db06bdc251027fc7fb4d0eaa1519233f0d5ef2e72b6764/IMG_2299---copia.JPG" /> <img width="3848" height="2455" width_o="3848" height_o="2455" data-src="https://freight.cargo.site/t/original/i/96c8fc9526afd2d2334293e2da65b1ffa144a9d0aa1442eef57d8e4aac5eccb0/IMG_7362---copia.JPG" data-mid="191830310" border="0" src="https://freight.cargo.site/w/1000/i/96c8fc9526afd2d2334293e2da65b1ffa144a9d0aa1442eef57d8e4aac5eccb0/IMG_7362---copia.JPG" /> Forum Dança, Lisbonmay 2020 *A version of this text was published in &nbsp;PEGADA (link for full publication- in portuguese), an independent publication that brought together written works by dance and performance artists about their practices.&nbsp; (This text is written in Portuguese and not published in English) https://saravieiramarques.cargo.site/Green-is-not-a-color Tue, 26 Sep 2023 13:51:16 +0000 Sara Vieira Marques Portfolio https://saravieiramarques.cargo.site/Green-is-not-a-color GREEN IS NOT A COLOUR for “Forest of Deceits”, by João Pedro Vaz GREEN IS NOT A COLOUR is a scenic installation designed for “Forest of Deceits", directed by João Pedro Vaz and presented in São João National Theatre (Porto, PT). It is composed of three curtains (6mX9m) in constant movement. Activating such a stage machine (made of technical devices, beams, hydraulic cranes, sequential bearings, arms and hands) it is at the same time a labyrinth, a matrioska and a simple backdrop.GREEN IS NOT A COLOUR is a one-colour choreography. An abstract landscape of a forest, which is a common place of the collective imaginary.Removing all the symbols, shapes and effects from the forest, we are left with just one colour. The shapeless, liquid and impalpable green of these three velvet curtains. Placing the colour green inside a black box and mobilising it according to a precise choreography, this device brings out live pictures in “mise en abîme”, creating performative places and situations of a forest beyond its commonplace.For the construction of these curtains, a theoretical and practical research was carried out about the predominant colours of this fictional and specific “forest”. The forest as a presence, as a body. This research led to the elaboration and making of a colour and was transposed into a velvet tissue that could reflect this choreographic investigation of the colour. text Gil Vicentedirection João Pedro Vaztranslation José Bentoset and costume design Sara Vieira Marqueslight design Filipe Pinheirodirection assistance Gonçalo FonsecawithAfonso Santos, Hugo Paz, Joana Carvalho, João Melo, Lia Carvalho, Mário Santos, Rodrigo Santos e Ananda Miranda (alaúde) production Teatro Nacional São João <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/15db52ae4808c7a1d65b43251b9f5272115ab49555902568b45b89e88652021e/floresta4.jpeg" data-mid="191902386" border="0" src="https://freight.cargo.site/w/1000/i/15db52ae4808c7a1d65b43251b9f5272115ab49555902568b45b89e88652021e/floresta4.jpeg" /> <img width="1488" height="1984" width_o="1488" height_o="1984" data-src="https://freight.cargo.site/t/original/i/90a218a56d768724af04a724bf2c7d0117c325683545af3048fb0e0af05af0ea/floresta7.jpeg" data-mid="191902389" border="0" src="https://freight.cargo.site/w/1000/i/90a218a56d768724af04a724bf2c7d0117c325683545af3048fb0e0af05af0ea/floresta7.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/59622288cddf36f4bfe778eacd2a361d17601be6759274a7ca25c0adeb8b6b14/floresta5.jpeg" data-mid="191902387" border="0" src="https://freight.cargo.site/w/1000/i/59622288cddf36f4bfe778eacd2a361d17601be6759274a7ca25c0adeb8b6b14/floresta5.jpeg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f8b13d7a27e3632ac3d0ab0cc5c98ad5b93e14078135be44f56849f5f60419ee/floresta3.jpeg" data-mid="191902385" border="0" src="https://freight.cargo.site/w/1000/i/f8b13d7a27e3632ac3d0ab0cc5c98ad5b93e14078135be44f56849f5f60419ee/floresta3.jpeg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c27b7e30ed3dfffa5711624a3639a26b4f03806c359cdde7954d93e8e3887bb6/floresta2.jpeg" data-mid="191902384" border="0" src="https://freight.cargo.site/w/1000/i/c27b7e30ed3dfffa5711624a3639a26b4f03806c359cdde7954d93e8e3887bb6/floresta2.jpeg" /> <img width="2953" height="1969" width_o="2953" height_o="1969" data-src="https://freight.cargo.site/t/original/i/6a3560745932f20fe2071aecdeb97989959398e36cc23bbf6f5baab751fc45db/TUNA_TNSJ-FLORESTApromoMAR10-8369.jpg" data-mid="191903940" border="0" src="https://freight.cargo.site/w/1000/i/6a3560745932f20fe2071aecdeb97989959398e36cc23bbf6f5baab751fc45db/TUNA_TNSJ-FLORESTApromoMAR10-8369.jpg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/dad0b69c5bd1a5d73fdbf451a8cd18afb07ba90d673a423892f4119ab18d347d/floresta13.jpeg" data-mid="191902395" border="0" src="https://freight.cargo.site/w/1000/i/dad0b69c5bd1a5d73fdbf451a8cd18afb07ba90d673a423892f4119ab18d347d/floresta13.jpeg" /> <img width="924" height="1640" width_o="924" height_o="1640" data-src="https://freight.cargo.site/t/original/i/4f8ffba24f470b197e8933a5cf2051c52ce10b1648d880fbca79b0ef46633cb5/floresta1.jpeg" data-mid="191902383" border="0" src="https://freight.cargo.site/w/924/i/4f8ffba24f470b197e8933a5cf2051c52ce10b1648d880fbca79b0ef46633cb5/floresta1.jpeg" /> <img width="3024" height="3595" width_o="3024" height_o="3595" data-src="https://freight.cargo.site/t/original/i/938b2aca662cf783ab8065c59cc05e7bf84fa0c1f508c60d6aedec0dc0f88e81/floresta6.jpeg" data-mid="191902388" border="0" src="https://freight.cargo.site/w/1000/i/938b2aca662cf783ab8065c59cc05e7bf84fa0c1f508c60d6aedec0dc0f88e81/floresta6.jpeg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/554407e27ef2223c6ed4ce8d8b2b4565689e72d28f7fefc036f750704bc2dff5/floresta9.jpeg" data-mid="191902391" border="0" src="https://freight.cargo.site/w/1000/i/554407e27ef2223c6ed4ce8d8b2b4565689e72d28f7fefc036f750704bc2dff5/floresta9.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/7f0101112d1ee1ed1d2b5b5ef0e10ebc54eb660e20231710ab1100c530d7824b/floresta11.jpeg" data-mid="191902393" border="0" src="https://freight.cargo.site/w/1000/i/7f0101112d1ee1ed1d2b5b5ef0e10ebc54eb660e20231710ab1100c530d7824b/floresta11.jpeg" /> <img width="3658" height="2743" width_o="3658" height_o="2743" data-src="https://freight.cargo.site/t/original/i/a8dc5fc0e0b3067b1cdb4fb337f8d9eb5f75fa20e6cfc12e7d5be0edcd114931/floresta12.jpeg" data-mid="191902394" border="0" src="https://freight.cargo.site/w/1000/i/a8dc5fc0e0b3067b1cdb4fb337f8d9eb5f75fa20e6cfc12e7d5be0edcd114931/floresta12.jpeg" /> Teatro Nacional São João, Portomarch 2022 https://saravieiramarques.cargo.site/HeadlessMen Mon, 25 Sep 2023 19:36:58 +0000 Sara Vieira Marques Portfolio https://saravieiramarques.cargo.site/HeadlessMen HEADLESSMEN Driven by a deep curiosity about how people and things are a constitutive part of the same space and the same temporality, this research opens itself to think about materials and matter as inherently alive in order to understand how worlds of practice are made and transformed. This is a procesual questioning of the assumptions of anthropology, seen from a particular epistemological position and takes form as an ethnographic film, anchored in the knowledge of observational cinema. This research focuses on the processes that shape up Marcha Gualteriana (Guimarães, Portugal) and on the performativity of its making according to three parts of the body: eye, hand and head.Facing the material universe produced by Casa da Marcha Gualteriana (PT) - a traditional handcrafts association - through an ontological lens, which challenges the way we see, touch, make, think and act with and through materials and matter, this research aims to contribute to our sustainable positioning within the relational systems we inhabit daily and the places that make them. This type of thinking appears as an attempt to formulate a theoretical concept of a relational and material performativity that considers the forms of human and non-human agency for the social sciences and for other disciplines. Perhaps this way it would be possible to recognize culture and nature, body and materiality in the fullness of their becoming without resorting to theorization of the human as a cause or effect.This research is therefore a way to continue questioning about places of practice, their things, materials and matter and about the way in which all these things are entangled in people's lives and bodies and vice versa. Artistic and film direction Sara Vieira MarquesScript and ethnography Sara Vieira MarquesSupervision&nbsp; Catarina Alves CostaCo-production NOVA-FCSH&nbsp; <img width="2700" height="1538" width_o="2700" height_o="1538" data-src="https://freight.cargo.site/t/original/i/eebc5a581928cfd05bee45836cd7474c5a17d6d270a11cbc7d6baf77ebac33ca/Captura-de-ecra-2023-09-25--as-23.57.20.png" data-mid="191834924" border="0" src="https://freight.cargo.site/w/1000/i/eebc5a581928cfd05bee45836cd7474c5a17d6d270a11cbc7d6baf77ebac33ca/Captura-de-ecra-2023-09-25--as-23.57.20.png" /> <img width="3024" height="1694" width_o="3024" height_o="1694" data-src="https://freight.cargo.site/t/original/i/bda0a77290078485a6ec5ef73f0ddacc2b7be750c91d01e761ca38af11ff5bd3/Captura-de-ecra-2023-09-26--as-19.13.17.png" data-mid="191926468" border="0" src="https://freight.cargo.site/w/1000/i/bda0a77290078485a6ec5ef73f0ddacc2b7be750c91d01e761ca38af11ff5bd3/Captura-de-ecra-2023-09-26--as-19.13.17.png" /> <img width="2604" height="1490" width_o="2604" height_o="1490" data-src="https://freight.cargo.site/t/original/i/ed89ee2eae67e7c14073035ffa74dee3798f73c6c3a4d69b42641644579c6a4a/HeadlessMen3.png" data-mid="191834981" border="0" src="https://freight.cargo.site/w/1000/i/ed89ee2eae67e7c14073035ffa74dee3798f73c6c3a4d69b42641644579c6a4a/HeadlessMen3.png" /> Casa da Marcha, Guimarãesnovember 2021 https://saravieiramarques.cargo.site/Apocalipsis Mon, 25 Sep 2023 21:14:50 +0000 Sara Vieira Marques Portfolio https://saravieiramarques.cargo.site/Apocalipsis APOCALIPSIS ENTRE AMIGOS “Apocalipsis entre amigos o el día simplemente” is a performance that takes place at the turn of the night, in which energetic, euphoric and tired bodies dance to the rhythm of electronic and ambient music. Wandering through the spectrum of possible and imaginary states of bodies in celebration, this performance summons the idea of an end that is also the beginning, of darkness that is also brightness, of night that is also day. Through a durational performance conceived for the gallery space, a type of listening and attention to the common is mobilized which is reflected as an ecology of states within space.There seems to have been a circle or a fire. Maybe there was a party and maybe it's over, but here there's still something to celebrate. It is the party of an end or perhaps an end of a party.There will perhaps be an apocalypse. It could be a December solstice or the end of the world after tonight. Or even maybe a total darkness at noon, or a hundred-year hungriness, or the simultaneous collapse of all computers, all algorithms, or something advancing at the speed of light. against this very place where we wait.This project poses the question of how to be together, united and distant. How to establish a sudden and permanent bond for the simple fact that we are all waiting for something. And maybe that something is some kind of end, or it's death, or it's the absolute beauty of the world's last second fading away. Artistic direction Julian Pacomio Project assistance&nbsp; Alexandra LaudoPerformers and collaborators&nbsp; Sara Vieira Marques, Marina Dubia, Víctor Colmenero Mir, Nina Botkay, Ángela Millano, Luis Moreno Zamorano y Matilde AmigoSound artist&nbsp; Borja CaroLight design Santiago Rodríguez TricotCostumes Pancho BagnaraCo-production Barcelona Producció. Centre d’Art La Capella. Acció en viu (BCN-ES) Ayudas a Artistas Visuales de Extremadura (ES); Azkuna Zentroa Alhondiga Bilbao (BIO-ES)Residencies Graner. Centro de Danza y Artes Vivas (BCN-ES); O Rumo do Fumo (Lisbon-PT); PACAP #4. Forum Dança. (Lisbon-PT); Estudios Vitor Cordon (Lisbon-PT); Fabra i Coats - Fábrica de Creación (BCN-ES).; ARAR. La Caldera (BCN-ES) <img width="2698" height="1560" width_o="2698" height_o="1560" data-src="https://freight.cargo.site/t/original/i/e9dfd5a9c4a0f46d7672e881fda1b92c7de23b54da72afd06471f858fffedaf7/Captura-de-ecra-2023-09-25--as-22.33.04.png" data-mid="191828854" border="0" src="https://freight.cargo.site/w/1000/i/e9dfd5a9c4a0f46d7672e881fda1b92c7de23b54da72afd06471f858fffedaf7/Captura-de-ecra-2023-09-25--as-22.33.04.png" /> <img width="2686" height="1510" width_o="2686" height_o="1510" data-src="https://freight.cargo.site/t/original/i/d3b7ed9927e2788ed898bd9a498ab4b12f243fbcb66e786fbda2015da627976f/Captura-de-ecra-2023-09-25--as-22.32.36.png" data-mid="191828852" border="0" src="https://freight.cargo.site/w/1000/i/d3b7ed9927e2788ed898bd9a498ab4b12f243fbcb66e786fbda2015da627976f/Captura-de-ecra-2023-09-25--as-22.32.36.png" /> <img width="5412" height="3608" width_o="5412" height_o="3608" data-src="https://freight.cargo.site/t/original/i/85bcbfef940a80def756846c2a725c6d19fac8fae1c0e6724165787ce030944c/apocalipsis2.jpeg" data-mid="191828832" border="0" src="https://freight.cargo.site/w/1000/i/85bcbfef940a80def756846c2a725c6d19fac8fae1c0e6724165787ce030944c/apocalipsis2.jpeg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/a57cc0f2269f76a9f2c6a4657d289e21248694b84f5a6a412270523873b41d76/apocalipsis3.jpeg" data-mid="191828837" border="0" src="https://freight.cargo.site/w/1000/i/a57cc0f2269f76a9f2c6a4657d289e21248694b84f5a6a412270523873b41d76/apocalipsis3.jpeg" /> ©MilaErcoli Centre d’Art La Capella, Barcelonaseptember 2021 https://saravieiramarques.cargo.site/ARA-SOLIS Tue, 26 Sep 2023 10:44:06 +0000 Sara Vieira Marques Portfolio https://saravieiramarques.cargo.site/ARA-SOLIS ARA SOLISBRIEF GLOSSARY OF &nbsp;USEFUL NEOMYTHOLOGIES work in progress Ara Solis is an altar. It's a set of stones overlapping in equilibrium for millennia. It's Louis XIV, the Sun.&nbsp; No. Ara Solis is not the sun. Ara Solis is Adilia Lopes. Ara Solis is a future to come, at the same time as it is a gothic past. Flamboyant. It's the convent where you can still read ‘Scivias’ and have a cup of tea with Hildegarda von Bingen. Ara Solis is green. Yes, Ara Solis is definitely green. It is light and shadow and all the life and death contained therein. Ara Solis is a sculpture. No. Ara Solis is the space between the sculpture and everything else. No. Ara Solis is the air that circulates within that space. No, no. &nbsp; Ara Solis is what can happen inside the air circulating in that space. Yes. Between us. It's invisible, but it can be sensed.Ara Solis is the end of the world. It's an endless place where we've already arrived without knowing it. Artistic Direction, Writing an Publication Sara Vieira Marques <img width="560" height="556" width_o="560" height_o="556" data-src="https://freight.cargo.site/t/original/i/f64ba37027f85b70c25dde467505c752cc012841e36fbb78262121c7944a5100/ouroboros.png" data-mid="191884806" border="0" src="https://freight.cargo.site/w/560/i/f64ba37027f85b70c25dde467505c752cc012841e36fbb78262121c7944a5100/ouroboros.png" /> 2024 / 2026 https://saravieiramarques.cargo.site/Sara-Vieira-Marques Mon, 25 Sep 2023 18:49:31 +0000 Sara Vieira Marques Portfolio https://saravieiramarques.cargo.site/Sara-Vieira-Marques